Stories

Colucci Art Magazine

Discoveries, research, exhibitions and the art market, from our specialists.

Insights29/10/2026

Solothurn: a collection told through its changes of hands

The Kunstverein’s history suggests separating a collection’s formation, ownership and physical location.

Insights29/10/2026

Fribourg, from museum to screen: looking beyond resemblance

The MAHF’s digital catalogue offers a starting point for researching paintings, objects and family memories.

Insights29/10/2026

Zug and Vienna: a collection shaped by relationships

The Kamm story offers a way to consider artworks, correspondence and collecting decisions together.

Insights29/10/2026

Glarus: Swiss landscape between local memory and collecting history

A family landscape raises three separate questions: where it depicts, who painted it and how it entered the collection.

Insights29/10/2026

Watercolours and drawings: preparing for a valuation

How to photograph and document fragile works on paper without unnecessary intervention.

Insights29/10/2026

Can an unsigned painting have value? Where a valuation begins

A practical introduction to documenting an unsigned Old Master painting before approaching CFA.

Insights29/10/2026

Catalogues raisonnés and valuation: documenting a painting before sale

How to organise references, photographs and records before presenting a painting to CFA.

Insights28/10/2026

Stans and the Winkelriedhaus: two photographs, many histories

In Nidwalden, a historic house and a stereoscopic view introduce questions about early photography, archives and collecting.

Insights28/10/2026

Sachseln, 1976–2026: fifty years of a museum and the value of memory

Museum Bruder Klaus in Obwalden suggests ways to organise devotional images, letters and family keepsakes while distinguishing testimony from attribution.

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