Stories

Colucci Art Magazine

Discoveries, research, exhibitions and the art market, from our specialists.

Insights28/10/2026

Schwyz, painted glass and heraldry: a collection can travel

The Reding house and a Swiss panel at the Metropolitan introduce questions of heraldry, materials and documentation for owners of historic stained…

Insights28/10/2026

Uri, Heinrich Danioth and the distance between a sheet and a wall

From the Schöllenen to Schwyz: Danioth’s public works suggest how to distinguish studies, repetitions and documents before offering a drawing for sale.

Insights28/10/2026

Lucerne, Monet and Klee: colour does not tell the whole story

From Monet’s mist to Klee’s constructed paper: the Rosengart Collection invites us to distinguish image, technique and material history before valuation.

Insights28/10/2026

Bern, Albert Anker and the time of reading: returning to a 2024 exhibition

An open book, a quiet gesture and a social history: Anker and Bern’s 2024 exhibition offer fresh questions for collecting Swiss art.

Insights28/10/2026

Zurich and provenance: a painting’s second history

Labels, catalogues and ownership changes: from Zurich to the dossier of a private collection, before assessing or selling a work.

Insights28/10/2026

Masolino at Castiglione Olona: reading space in Renaissance painting

A painted building can guide a story as powerfully as a face. In Masolino’s Banquet of Herod at Castiglione Olona, architecture, openings…

Insights28/10/2026

Torba Monastery: learning to look at the traces of time

Not everything that makes a work meaningful is immediately legible. A worn surface, a fragment or an interrupted figure can demand more…

Insights28/10/2026

Accademia Carrara in Bergamo: a collection also reveals the choices of its collector

What holds a collection together? An artist, a period, a subject, or a series of personal encounters? Accademia Carrara in Bergamo offers…

Insights28/10/2026

A lady at the Poldi Pezzoli: what a portrait can, and cannot, tell us about jewellery

A painted pearl cannot be weighed. Yet within a portrait it can carry the force of an entire social statement. The Portrait…

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